
Ayana
ArtistProducer
afrobeats
Ayana writes afrobeats with amapiano log-drums tucked underneath the kick. Warm mezzo, breathy upper register, chesty lower foundation, code-switching English / Yoruba / Pidgin in the same bar without breaking pocket. The references sit in the canon — Tems for restraint, Tyla for the dance pivot, Ayra Starr for the futurist edge, Burna Boy for the African-pride lyricism, Wizkid for vocal economy. Lyrics live in concrete images: the back of a market truck, jollof on the boil, gold light on dark skin, a video call between Lagos and London at 2am. The chorus celebrates the moment the verse just sketched. Built for amapiano dance floors, summer playlists and the grandmother- approved kitchen radio.
Going for
The aim is afrobeats with diaspora depth — Lagos in the rhythm, London in the production polish, the room between them in the lyric. Ayana wants a record that holds its own next to Tyla's debut on cohesion and Tems' Born In The Wild on restraint, with amapiano log-drums doing rhythmic work rather than decoration. Long-term: an album playable at a Lagos owambe, a London afters and a Brooklyn rooftop in the same week, plus a live show built around live percussion, backing vocalists, and Yoruba-language interludes that earn the runtime.
Sound
Influences
Artists
- Tems
- Tyla
- Ayra Starr
- Burna Boy
- Wizkid
- Rema
Albums
- Born in the Wild
- Tyla
Visual
- Tyla amapiano dance visuals
- Tems moody minimalist photography
- Ayra Starr futuristic afro-glam
- Lagos street fashion + Yoruba textiles
- Burna Boy African pride concept videos
On rotation right now
- Water — Tyla Amapiano log-drum bassline plus pop hook discipline. Reference grade.
- Calm Down — Rema Cross-genre afrobeats hook, conversational verse delivery.
- Try Me — Tems Slow-burn vocal layering, intimate breath-driven delivery.
- Rush — Ayra Starr Mid-tempo afropop confidence and melodic ad-libs.
- Last Last — Burna Boy Afro-fusion production, post-breakup catharsis lyric.
- Essence — Wizkid feat. Tems Lagos-to-global afrobeats. Vocal economy at peak.
- Higher — Burna Boy African-pride lyricism with Afro-fusion layering.
- Bloody Samaritan — Ayra Starr Femme afropop power with sci-fi gloss.
- Sungba (Remix) — Asake feat. Burna Boy Amapiano log-drums in full afrobeats fusion mode.
- Love Me JeJe — Tems Yoruba-English code-switching inside a modern pop ballad.
Off-stage
- Cooks jollof for the studio every Sunday. Will not be drawn into the Ghana-versus-Nigeria debate on tape.
- Wears one piece of aso-oke from her grandmother to every session. Treats it as a vocal warm-up.
- Keeps a voice-note folder titled 'mum sayings' — half the bridges live there.
- Refuses to write before sunrise. Says the song needs the light.
- Has a small gold cross and a small evil-eye charm on the same chain. Hedges nothing.
Releases
-
Gold Light
celebratorywarmproudsun-warmed
Watch on YouTube