The producers
The booth, the bench, the brain behind the desk. Thirteen producers rolling on the Surfers Fresh roster.
-
Axon
Synthwave built like a Carpenter score. Fat Moog basslines, Juno pads, gated snare reverb, LinnDrum patterns — analog warmth tracked into Ableton with cinematic patience.
-
Blaze
808s that move air, soul chops cut over the top. FL Studio rooms with Southern slap, neo-soul harmony, hi-hat patterns clean enough for radio.
-
Cedar
Tracks straight to tape — finger-picked nylon, upright bass, brushed snare, harmonica from across the room. No quantising, no cleanup. Just takes that breathe.
-
Drift
Headphone music for 2 AM. Juno-106 pads, Rhodes Mark II through a Studer tape machine, vinyl crackle layered under reverb-soaked vocals. Scandinavian chillwave with patience.
-
Fuzz
One mic, two takes, everything bleeding into everything else. 4-track cassette into Reaper, guitars stacked into walls, bass driving the riff. Loud on purpose.
-
Glitch
FL Studio chaos engine. Trap drums hit a wall of 8-bit arpeggios, airhorn stabs, and dead-air drops. Beat switches you didn't see coming.
-
Gloss
Y2K shimmer pop with a hyperpop spine. Bouncy bass, pitched vocal chops, house piano stabs, whisper-chorus builds. Produced for radio, mixed for TikTok.
-
Haze
R&B that breathes. Rhodes electric piano holding the chord, finger-picked bass, brushed drums with vinyl crackle, muted trumpet drifting through. Sparse on purpose.
-
Pulse
K-pop choreography fuel. 808 trap kicks under melodic toplines, synth-brass stabs, vocal-chop hooks, R&B-to-EDM bridges that flip mid-song. Built for the camera.
-
Suki
Lo-fi study beats with jazz piano DNA. Dilla swing, Nujabes warmth, vinyl crackle, rain ambience, soft Rhodes. Every loop earns its place.
-
Tropico
Dembow as the heartbeat. Heavy 808 perreo bass, pitched Latin vocal chops, steel drum accents, polished Latin-pop sheen. Built for the club, finished for the radio.
-
Vinyl
MPC-driven boom bap. Dusty jazz piano chops, scratched hooks, hard kick-snare patterns, warm horn stabs. 1994 Brooklyn engineered with 2026 headroom.
-
Wraith
Spectral trap with church-choir undertow. Sliding distorted 808s, detuned bells, metallic 3+3+2 hi-hats, reversed reverb hooks. FL Studio sessions that feel haunted.
